Masterclass in Story Structure and Pitching your TV Project One Day Online

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Join me and a group of like-minded writers online December 6th Friday from 10am to 3pm, for my Masterclass in story structure and also to find out how I teach the best way to pitch your project.

Are you struggling with writing solo? Is your project a bit…stuck? Are you worried about how to pitch your project effectively?

There is definitely a good way, if not The Right Way, to pitch your project. Having been across the table from many a disastrous pitch and also happily been on the receiving end of smooth and positive pitches, I would like to share with writers what I have found actually works; from the point of view of a television producer who has hands on experience of both pitching and being pitched to.

Join me and a group of like-minded writers online December 6th Friday from 10am to 3pm, for my Masterclass in story structure and also to find out how I teach the best way to pitch your project.

You will receive:

  • Analysis of series story structure – a deep dive into my developmental process using examples of current television series and an insight into how I get the best out of the writers working with me on their projects.
  • Introduction to my lessons on Pitching – how to do it effectively
  • A treatment template
  • Q and A with me on your personal stories and how I can help you with any tricky issues you are experiencing.

I will take you through my development process, the tips and tricks I use every day to help writers hone and shape their stories for television. I have been doing this now in one or another for 30 years and running my script consultancy for 10 of those, so I now invite you to access my big telly brain for the day and get the chance to discuss with me your particular project and perhaps iron out an irritating knot or two that is stopping you from continuing on with the series you want to write.

If you haven’t got your copies yet, I am also offering to attendees, a signed copy of my best selling book From Creation to Pitch Writing Stories for Television That Sell, which will help put you on a straight path going forward in your writing development.

The fee is £200 to confirm your place around my virtual table. Contact me for payment details.

See you very soon!

The fee is £200 to confirm your place around my virtual table. Contact me for payment details. See you very soon! Please read our Terms and Conditions. Get started and sign up for your course today.

You can’t create experience, you must undergo it

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Yvonne has worked with the following companies and can proudly wear the ‘been there, done that’ T-shirt

Once I had a first draft, I honestly couldn’t tell if it was any good. I hadn’t written for TV before and had no idea what the structure for an episode was…I knew I needed to get some expert eyes on it, so I went to Yvonne… She’s had 30+ years in the industry and seemed to fundamentally understand TV drama. She was the right person to help. I’d had lots of positive feedback about how strong my opening pages were. I was really, really proud of them. And one of Yvonne’s first comments was, “the opening’s got to change”…I trusted her though, and she was right…

MARTIN BELL

JOIN OUR GROUP

if you are already a Facebook user you can chat with me and other writers (over 3,000) on my Facebook Group – The Script Advice Writer’s Room.

GET MY BOOK

If you want to get an impressive insight into the industry and routes in to make your work competitive then buy this book now. Peter Devonald

TEN TOP TIPS

I’m sharing some of my top tips to becoming a better and more successful writer. Sign up to the Ten Top Tips here and I will email them to you.

USEFUL RESOURCES

If you are interested in reading more helpful advice or joining in an online community of like-minded writers you could take a look at my Blog.

JEM DRYER Delegate/script editor If you ever want to see a real wizard at work, sign up for Yvonne Grace’s Script Editing for Television course right this second. The way Yvonne can take apart a script is genuinely dazzling to watch, and you can’t help but feel yourself becoming ten times the script editor you were just by watching her process. There is no explanation for being able to cover every aspect of script analysis and editing, storylining, delivering notes to writers, and understanding the script editor’s role in production in only four days other than magic.

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